The camera supposedly never lies, yet film's ability to frame, cut and reconstruct all that passed before its lens made cinema the pre-eminent medium of visual illusion and revelation from the early twentieth century onwards. This volume examines film's creative history of special effects and trickery, encompassing everything from George Méliès' first trick films to the modern CGI era. Evaluating movements towards the use of computer-generated 'synthespians' in films such as Final Fantasy: the Spirits Within (2001), this title suggests that cinematic effects should.
Performing Illusions: Cinema, Special Effects, and the Virtual Actor free ebook pdf epub
Performing Illusions: Cinema, Special Effects, and the Virtual Actor book series pdf
Performing Illusions: Cinema, Special Effects, and the Virtual Actor pdf
Performing Illusions: Cinema, Special Effects, and the Virtual Actor pdf download
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